Sunday, 19 July 2026

Per un bicchier di vino


Yes, folks, it’s chaotic indie rock vocals perfected by an Italian child circa 1970, in particular during the high-pitched chorus wailing.


Just wonderful. I wish I could be in a band with this sound.


The song title translates to: “For a Glass of Wine”, which only mainland Europeans can get away with having a kid sing.


A modern Brit would be burned at the stake for such wanton subversion.


I know I said I wouldn’t write another Zecchino d’Oro post for awhile, but this I just could not resist. I’m alternating between their modern stuff and ghostly vintage stuff, with the vintage stuff being very cosy to listen to indeed.


Oh and I finally worked out that Zecchino d’Oro stands for: “Sequins of Gold”, so I can sort-of understand why they’re trying to swap it out for “Piccolo Coro dell’Antoniano” (“Little Choir of Antoniano”), although I find the latter to be something of a mouthful and pain in the arse to type out.


Lotta quotation marks in this post.


Goodness knows what any of it means, but it’s cute as all get out and continues to put a big smile on my face. Don’t be put off by the foreign language nature of it or the age of the singers. Just rock out and giggle uncontrollably.


Do stay in touch, darlings.


Ciao!

Thursday, 16 July 2026

Framed to Perfection XLVIII


JING WU MEN (1972)

Director: Wei Lo

Cinematographer: Ching-Chu Chen


I’ve had to take a break from this entry in my Bruce Lee boxset, as the nonstop punching and kicking sound effects are starting to get on my teabags. I’m sure I’ll be in a better headspace later when I return, but I just couldn’t take any more.


There’s no English dub available this time, which is a shame. Some movies are just better with cheesy dubbing. The disc player does acknowledge an “ENGLISH” track, but it just seems to be another Cantonese/Mandarin one. Hmmm. It does sound slightly different though, so I’ll keep checking back in to see if the English kicks in.


Still, what with my experience of watching foreign films without a translation, I’m fine with it. I did role my eyes somewhat when I read a short synopsis, which implied the film would just be about two martial arts training centres bickering. I could predict the entire movie in its studio-bound dullness. So far, I have not been proven wrong.


As far as I can tell, Bruce Lee is playing the villain in this one, which is a surprise. If I am completely wrong, then I have clearly become deaf to the language of cinema. As well as blind. His character keeps viciously beating up a lot of downtrodden-looking people already, which isn’t very heroic.


The film is also lacking the cute melodrama of The Big Boss, which I am surprisingly missing. It’s just fight after fight after fight in these claustrophobic training centres. I’d get more entertainment out of admin staff fighting over a free buffet at a health & safety brief.


Now there’s a pitch!


Regardless of my own personal tastes, there has already been loads of pretty framing by the cinematographer, one of which you will find above.


I don’t know how Fist of Fury, its English title, stands in Bruce’s filmography in terms of quality and fan approval, but so far it feels the lesser of the only two I’ve experienced. Well, one and a third.


We shall see…


Do stay in touch, darlings.


Toodles!

Wednesday, 15 July 2026

An Emotional Side Quest

I’ve begun adding to my personal thoughts journal/diary/whatever again, after a 2-year hiatus publishing exclusively here. This doesn’t mean I’ll pull back on my entries for The Whittling Post, but I just feel the need to blurt out more intimate b.s. at the moment.


The major difference will be that, this time, my personal blog won’t include much cultural commentary, which it did use to. I’ll keep all that here, besides the odd perfunctory mention.


You can find The Salad of Convenience in all its grimy glory here.


Or not. Do what thou whilst, patient reader. I definitely do need to sort out its colour scheme, however, as it looks frigging hideous, so please don’t be put off by that detail straight away!


Do stay in touch, darlings.


Toodles!  

Sunday, 12 July 2026

The Star Wars Holiday Special

I didn’t quite know how to categorise this post, which is why it remains unclassified.


Sequels weren’t what they were in 1979, in comparison to what they were a decade later and now. Despite the odd exception, they simply didn’t happen. A movie came out, then vanished. I mean, where was it supposed to go?! Home media hadn’t exploded yet, so even some of the greatest films in cinema history became “lost art” for awhile. No, really, look it up.


Technically, the first sequel to George Lucas’ 1977 blockbuster Star Wars is the 1978 novel “Splinter of the Mind’s Eye”, by genre stalwart Alan Dean Foster.


Two years later, still not interested in a sequel to Star Wars, a disinterested Lucas pawned-off creative duties for its cinematic offspring to his university professor, Irvin Kershner, and producer Gary Kurtz. The result was a masterpiece, which sadly was not recognised at the time by critics and cinema goers alike. The fallout of this negative reception was Return of the Jedi, a “back to basics” cash-grab with little creative merit to it, besides its wondrous special effects.


Right, now let’s go back a bit.


I am tragically old enough to remember television variety shows. They were the old guard of antique vaudevillian entertainment. Your grandparents liked them, but you didn’t. In the UK at least, the 1990s would bring regional accents and independent thought into television. Just look up The Big Breakfast and how it shattered Thatcherite England. But, yes, the idea of trying to please everybody in one hour was still going on as of my voice breaking.


This is why I respect The Star Wars Holiday Special.


I’m so, so, so sorry.


Hmm, I feel like I’m saying that a lot these days. Anyway…


Spoiler alert, this was a solid 3 out of 5 experience for me. Regardless of what you may have heard, it is actually very well put together and everyone involved were clearly trying their hardest. Remember, nobody was expecting a multi-decade-spanning franchise at this point. They were just doing their best for the one-off gig they were being paid for. Mark Hamill will forever get points for being a good sport and the best thing in any bad production, so he passes instantly. Shockingly, even Harrison Ford seems to give a crap, and he is now as notorious as Marlon Brando for not giving a crap.


Now this part is important, folks. Not a single human being residing within the United Kingdom of England, Wales, Scotland, and Northern Ireland knows who the fuck Art Carney is. He’s clearly an American icon who hasn’t crossed the Atlantic. So, just like James Cameron casting comedian Paul Reiser in Aliens, I came to Art without prejudice. And I found him charming and sexy, adding an interesting new character to the Star Wars universe. If JJ Abrams didn’t reference him somewhere in his subsequent sequels, then for shame!


Carney is essentially the main character for half of The Star Wars Holiday Special, which is fine, then he vanishes. But, do remember, this is not a narrative motion picture with a three-act structure. It’s a television variety show meant to please as many viewers as possible. I would have liked to have seen more of Art, but hey-ho.


A few more acts later and we come to Bea Arthur’s show-stopping performance. I don’t care who you are or where you come from, but I believe we would all be quite willing to sit and watch Arthur playing a Tatooine barmaid morning, noon, and night. Some men like demure, giggling Japanese schoolgirls. Some men like Bea Arthur. A real woman. I’m not even being ironic, I could watch this scenario all-fucking-day. 


The animated segment is good enough to be hailed as a masterpiece of 80s children’s television. It is a shame, therefore, that it came just a few years too early. While its visuals are certainly rushed, I found it engrossing in the nerdiest of ways, and its connection to The Empire Strikes Back is nice and tight. Seriously, they didn’t throw that one away.


The Star Wars Holiday Special is what it is. Again, if you’re expecting a slick movie experience, then you have come to the wrong place. Within the appropriate mindset, however, it is thoroughly entertaining. Will I be swapping Return of the Jedi out for it for future viewings? Hmm, only time will tell. After all, Return of the Jedi hasn’t aged well at all.


Oh and poor Carrie Fisher. Cocaine is a party drug, so she wouldn’t have been snorting it at work, as people claim. Maybe she played up to this myth in subsequent interviews and publications, but she certainly doesn’t come across as “high” onscreen. She was a pro. Have some fucking respect.


May the Force be with you, darlings.


Toodles!

Saturday, 11 July 2026

Framed to Perfection XLVII


ANG SHAN DA XIONG (1971)

Director: Wei Lo

Cinematographer: Ching-Chu Chen


3… 2… 1… HI-KEEBA!


It’s been gnawing at my conscience for many years now, that I have never seen a Bruce Lee movie. Nor have I seen anything starring the recently-departed Chuck Norris, but I’m not so guilt-ridden about that. Still, I have now decided to put things right and buy up as many of Mr Lee’s movies as is possible. Thanks to the UK’s practically nonexistent film distribution industry, I have had to turn to Germany for help.


Is there anything they can’t do?!


So, yes, I now have a lovely boxset of, I think, four Bruce Lee movies to be getting on with. Thankfully, they come with the original Cantonese/Mandarin audio track as well as a gloriously-cheesy English dub. And a German dub, if one is so inclined. Which I am not. 


I’m also not rushing things, especially in this stifling weather, so The Big Boss is my debut outing since buying the set a few months ago. I’m not terribly impressed so far, finding the pace of the film to be similar to that of a meandering soap opera, but I am only about a third of the way through.


See?! This weather is making me so crazy!


With any luck, I shall be posting more on this subject asap. I’ll also be taking a brief look at Chuck’s “greatest hits” too. I am of the understanding that he turns up in one of Bruce’s movies, so there will be something of a crossover.


Oh and if you get the “hi-keeba” reference, please marry me.


Do stay in touch, darlings.


Toodles!

Friday, 10 July 2026

Framed to Perfection XLVI


THE WONDERFUL LAND OF OZ (1969)

Director: Barry Mahon

Cinematographer: Barry Mahon


Please bear witness to an extended blooper reel that was accidentally mixed-up with its parent film, complete with actors forgetting their lines and adjusting their costumes mid-take. It’s not, of course, but you know what I mean.


Its star, the director’s son, has the complete lack of performing skills that an actor who’s father is the director would have. Funny that. The musical numbers, if you can call them that, are drab easy listening B-sides that leave the mind instantly.


I do love the charming school play level sets though, which genuinely do give the film an otherworldly vibe. I miss the days before green/blue screens!


Surely a forgotten adaptation of Frank L Baum’s literary works that probably should be left forgotten (although I tragically suspect it is by far the most faithful), all from a director who jarringly dabbled in both sex and family exploitation. A bit like this blog sometimes.


Hmmm…


Now go watch Return to Oz and have some proper-fucking-nightmares!


I experienced the RiffTrax version, which you can find here.


Do stay in touch, darlings.


Toodles!

Tuesday, 7 July 2026

Zecchino d’Oro - Day 3


Uh oh, it seems this Italian power-pop collective, very much similar to the Netherlands’ Kinderen voor Kinderen, has more depth to its sonic goings on than I first assumed. I am slowly discovering there are deeper layers to the instrumentation and emotions on display, which may warrant further analysis by yours truly.


I was hoping to avoid this.


Saying that, it took me over a year to get to grips with KvK’s output enough to feel confident in writing about them, so do not fear, patient reader, as you still have time to prepare yourselves for my rambling b.s..


I don’t think I needed that second full stop there, but hey-ho.


I swear I’ll go back to talking about movies as soon as this seemingly-endless heatwave in the UK dies out. I still owe you that loving Mission Impossible (1996) retrospective, after all. I just don’t find hot weather conducive to movie-length concentration. I also tend to drink more in order to drown out my. noisy neighbours, who’s vocal chords seem to be powered by the sun’s rays.


So, yes, this should be the last post about Zecchino d’Oro until I become more savvy with their discography. I just wanted to let you know how I was getting along. It keeps putting a big smile on my face, which antidepressants are never able to do. Doctors should write prescriptions for weird foreign power-pop CDs!


May your part of the world be cooler and your neighbours quieter.


Do stay in touch, darlings.


Ciao!