Sunday, 12 July 2026

The Star Wars Holiday Special

I didn’t quite know how to categorise this post, which is why it remains unclassified.


Sequels weren’t what they were in 1979, in comparison to what they were a decade later and now. Despite the odd exception, they simply didn’t happen. A movie came out, then vanished. I mean, where was it supposed to go?! Home media hadn’t exploded yet, so even some of the greatest films in cinema history became “lost art” for awhile. No, really, look it up.


Technically, the first sequel to George Lucas’ 1977 blockbuster Star Wars is the 1978 novel “Splinter of the Mind’s Eye”, by genre stalwart Alan Dean Foster.


Two years later, still not interested in a sequel to Star Wars, a disinterested Lucas pawned-off creative duties for its cinematic offspring to his university professor, Irvin Kershner, and producer Gary Kurtz. The result was a masterpiece, which sadly was not recognised at the time by critics and cinema goers alike. The fallout of this negative reception was Return of the Jedi, a “back to basics” cash-grab with little creative merit to it, besides its wondrous special effects.


Right, now let’s go back a bit.


I am tragically old enough to remember television variety shows. They were the old guard of antique vaudevillian entertainment. Your grandparents liked them, but you didn’t. In the UK at least, the 1990s would bring regional accents and independent thought into television. Just look up The Big Breakfast and how it shattered Thatcherite England. But, yes, the idea of trying to please everybody in one hour was still going on as of my voice breaking.


This is why I respect The Star Wars Holiday Special.


I’m so, so, so sorry.


Hmm, I feel like I’m saying that a lot these days. Anyway…


Spoiler alert, this was a solid 3 out of 5 experience for me. Regardless of what you may have heard, it is actually very well put together and everyone involved were clearly trying their hardest. Remember, nobody was expecting a multi-decade-spanning franchise at this point. They were just doing their best for the one-off gig they were being paid for. Mark Hamill will forever get points for being a good sport and the best thing in any bad production, so he passes instantly. Shockingly, even Harrison Ford seems to give a crap, and he is now as notorious as Marlon Brando for not giving a crap.


Now this part is important, folks. Not a single human being residing within the United Kingdom of England, Wales, Scotland, and Northern Ireland knows who the fuck Art Carney is. He’s clearly an American icon who hasn’t crossed the Atlantic. So, just like James Cameron casting comedian Paul Reiser in Aliens, I came to Art without prejudice. And I found him charming and sexy, adding an interesting new character to the Star Wars universe. If JJ Abrams didn’t reference him somewhere in his subsequent sequels, then for shame!


Carney is essentially the main character for half of The Star Wars Holiday Special, which is fine, then he vanishes. But, do remember, this is not a narrative motion picture with a three-act structure. It’s a television variety show meant to please as many viewers as possible. I would have liked to have seen more of Art, but hey-ho.


A few more acts later and we come to Bea Arthur’s show-stopping performance. I don’t care who you are or where you come from, but I believe we would all be quite willing to sit and watch Arthur playing a Tatooine barmaid morning, noon, and night. Some men like demure, giggling Japanese schoolgirls. Some men like Bea Arthur. A real woman. I’m not even being ironic, I could watch this scenario all-fucking-day. 


The animated segment is good enough to be hailed as a masterpiece of 80s children’s television. It is a shame, therefore, that it came just a few years too early. While its visuals are certainly rushed, I found it engrossing in the nerdiest of ways, and its connection to The Empire Strikes Back is nice and tight. Seriously, they didn’t throw that one away.


The Star Wars Holiday Special is what it is. Again, if you’re expecting a slick movie experience, then you have come to the wrong place. Within the appropriate mindset, however, it is thoroughly entertaining. Will I be swapping Return of the Jedi out for it for future viewings? Hmm, only time will tell. After all, Return of the Jedi hasn’t aged well at all.


Oh and poor Carrie Fisher. Cocaine is a party drug, so she wouldn’t have been snorting it at work, as people claim. Maybe she played up to this myth in subsequent interviews and publications, but she certainly doesn’t come across as “high” onscreen. She was a pro. Have some fucking respect.


May the Force be with you, darlings.


Toodles!

Saturday, 11 July 2026

Framed to Perfection XLVII


ANG SHAN DA XIONG (1971)

Director: Wei Lo

Cinematographer: Ching-Chu Chen


3… 2… 1… HI-KEEBA!


It’s been gnawing at my conscience for many years now, that I have never seen a Bruce Lee movie. Nor have I seen anything starring the recently-departed Chuck Norris, but I’m not so guilt-ridden about that. Still, I have now decided to put things right and buy up as many of Mr Lee’s movies as is possible. Thanks to the UK’s practically nonexistent film distribution industry, I have had to turn to Germany for help.


Is there anything they can’t do?!


So, yes, I now have a lovely boxset of, I think, four Bruce Lee movies to be getting on with. Thankfully, they come with the original Cantonese/Mandarin audio track as well as a gloriously-cheesy English dub. And a German dub, if one is so inclined. Which I am not. 


I’m also not rushing things, especially in this stifling weather, so The Big Boss is my debut outing since buying the set a few months ago. I’m not terribly impressed so far, finding the pace of the film to be similar to that of a meandering soap opera, but I am only about a third of the way through.


See?! This weather is making me so crazy!


With any luck, I shall be posting more on this subject asap. I’ll also be taking a brief look at Chuck’s “greatest hits” too. I am of the understanding that he turns up in one of Bruce’s movies, so there will be something of a crossover.


Oh and if you get the “hi-keeba” reference, please marry me.


Do stay in touch, darlings.


Toodles!

Friday, 10 July 2026

Framed to Perfection XLVI


THE WONDERFUL LAND OF OZ (1969)

Director: Barry Mahon

Cinematographer: Barry Mahon


Please bear witness to an extended blooper reel that was accidentally mixed-up with its parent film, complete with actors forgetting their lines and adjusting their costumes mid-take. It’s not, of course, but you know what I mean.


Its star, the director’s son, has the complete lack of performing skills that an actor who’s father is the director would have. Funny that. The musical numbers, if you can call them that, are drab easy listening B-sides that leave the mind instantly.


I do love the charming school play level sets though, which genuinely do give the film an otherworldly vibe. I miss the days before green/blue screens!


Surely a forgotten adaptation of Frank L Baum’s literary works that probably should be left forgotten (although I tragically suspect it is by far the most faithful), all from a director who jarringly dabbled in both sex and family exploitation. A bit like this blog sometimes.


Hmmm…


Now go watch Return to Oz and have some proper-fucking-nightmares!


I experienced the RiffTrax version, which you can find here.


Do stay in touch, darlings.


Toodles!

Tuesday, 7 July 2026

Zecchino d’Oro - Day 3


Uh oh, it seems this Italian power-pop collective, very much similar to the Netherlands’ Kinderen voor Kinderen, has more depth to its sonic goings on than I first assumed. I am slowly discovering there are deeper layers to the instrumentation and emotions on display, which may warrant further analysis by yours truly.


I was hoping to avoid this.


Saying that, it took me over a year to get to grips with KvK’s output enough to feel confident in writing about them, so do not fear, patient reader, as you still have time to prepare yourselves for my rambling b.s..


I don’t think I needed that second full stop there, but hey-ho.


I swear I’ll go back to talking about movies as soon as this seemingly-endless heatwave in the UK dies out. I still owe you that loving Mission Impossible (1996) retrospective, after all. I just don’t find hot weather conducive to movie-length concentration. I also tend to drink more in order to drown out my. noisy neighbours, who’s vocal chords seem to be powered by the sun’s rays.


So, yes, this should be the last post about Zecchino d’Oro until I become more savvy with their discography. I just wanted to let you know how I was getting along. It keeps putting a big smile on my face, which antidepressants are never able to do. Doctors should write prescriptions for weird foreign power-pop CDs!


May your part of the world be cooler and your neighbours quieter.


Do stay in touch, darlings.


Ciao!




Saturday, 4 July 2026

Zecchino d’Oro - Day 2


Wow… FINALLY… a song about pizza by the people who actually invented it!


Not only does it rock like a motherfucker, but it’s as catchy as shit. What more do you need?! I mean, just try not muttering “Discopizza DJ!” as you wander around your home aimlessly later on today as your life slips away one second at a time.


And, yes, my use of strong language as I discuss children’s music is meant as a bit of dark humour. I’m not that much of a dick. Mostly.


I’m learning a bit more about this… erm… thing as I go along. First of all, I have obtained some clarity over the confusing use of two names for it. I believe Zecchino d’Oro is the overall name for the annual TV event, whilst Piccolo Coro dell'Antoniano refers simply to the musical component or its chorus of backing singers. I think. I’ve decided to go with what Wikipedia and Spotify refer to it as. Oh yeah, I forgot to mention, this is very much like Kinderen voor Kinderen, with the latter possibly even having been inspired by Zecchino d’Oro.


Right, we need to shorten that name down, so I’m gonna go ahead with “ZdO”. Okay? No? Tough.


Anyway, Italy has an annual singing contest for young vocalists with songs written by professional musicians. Sound familiar? The two main differences between ZdO and KvK is that, firstly, the Dutch just does theirs for fun. As the British wrongly use baking to tear people apart, the Dutch rightly use their annual kiddy music event to bring people together.


The second difference is that ZdO has been going since the motherloving 1950s, which is crazy. Their Spotify channel is something of a mess, with loose compilations of earlier stuff mixed randomly with the newer albums. I’m getting to grips with it all very gradually, with my being an incredibly slow learner posing an additional hurdle.


There’s very much a mix of tones within the songs too. Some are irritatingly infantile, while some being more mature. I’m curious to find out how the sound has evolved over the decades, just like I have been with KvK, so perhaps I will have more to say on it all. Saying that, it all feels slightly more disposable than KvK’s meaningful repertoire, so I doubt any deep analysis of ZdO’s oeuvre is on the cards.


For now, I’m just enjoying having found another power-pop group that puts a smile on my world-weary face, as honestly not much does these days.


I hope it does the same for you.


Do stay in touch, darlings.


Ciao!




Friday, 3 July 2026

Zecchino d'Oro - Day 1


Right, here we go…


In the event of me/my/moo reluctantly moving on from the Netherlands’ Kinderen voor Kinderen, I’ve already stumbled upon France’s very own Les Mommes Du Ce2. The latter feels more like the work of a disinterested session musician attempting to retire early, but it’s still good stuff.


Then, thanks to my daily flick through YouTube’s recommended junk, I have now discovered Italy’s Zecchino d’Oro AKA Piccolo Coro dell'Antoniano (I still haven’t quite figured out the difference), and there appears to be as much of it as there is KvK.


Which means a lot.


So, yes, I’m afraid my infrequent articles focussing on earsplitting power-pop will never end.


THEY WILL NEVER END! MWAHAHAHAHA!


Or perhaps not, as today is literally my first listen through to one of their albums, although I’m already laughing and bouncing along merrily.


Do stay in touch, darlings.


Ciao!

Sunday, 28 June 2026

FAN TRACKLIST: 20 v2

For whomever, as I genuinely have no idea whether people are reading at this point.


The cruel UK heatwave is messing with us all!


Behold my own personal interpretation of Kinderen voor Kinderen’s flawed 20 album tracklist.


Love it or hate it or feel indifferent to it, here it is.


Praten, Praten, Praten

Ik Zeg Maar Liver Niets

Niet Naar Ierland

Nix

Sleutelkind

De Weg Naar School

Anders Dan Je Deckt

Met Carnaval

Geen Huis Meer

De Saaiste Vader

Kijk Joris Nou

Wanneer

Ruzie


I would love your feedback, regardless.


Do stay in touch, darlings.


Doei!