Wednesday, 5 August 2026

Manon et Hugo


Somewhere within the horror of reviewing Robot Holocaust and Alien from LA, posts which are coming soon, I have found myself comforted by a YouTube channel devoted to the cute relationship between a precocious little French boy and his much-older teenage sister.


She could be his girlfriend, for all I know, as it is taking place in France. Who knows what they get up to over there!


Still, their mundane antics are putting a smile on my face, which doesn’t happen very often these days. Hugo appears to be an intense fitness addict, which I cannot relate to, while his sister just mumbles random crap at the camera. I dunno, my grasp of the French language is as and when it is required. Although I generally do pretty well for myself.


I dearly hope they provide as much of an aid to your stressful existence as they do to mine.


It’s the little things, you know?


Do stay in touch, darlings.


Toodles!





Monday, 3 August 2026

[story corner]

THE PEAS OF POZZUOLI


A gentle pastoral romp, in which a young man moves to a quaint seaside town to heal after a series of personal tragedies. While there, he becomes entangled in the lives and loves of a colourful backstreet community.


CHAPTER ONE


The affluent and sparse district of Idwick lay approximately five miles west of the dense lair of ne’er-do-wells, or metropolitan prefecture, of Bradbury City.


That grimy central district, and the greater sprawl of Bradbury Gate, had their names derived from the Broad River, which ran west-east through a once-lush valley, from Idwick to the Port of Sunk.


Idwick was, somewhat predictably, named after its crumbling medieval castle, a castle which, despite some optimistic assertions to the contrary by the local tourist board, was not worthy of further description. 


That is, unless you wish to count its use by real ale enthusiasts as a convenient place to urinate as they merrily jaunt between bustling public houses.


Edward Whetstone, whom the reader should henceforth welcome as their protagonist, understood that he lived something of a charmed existence in dear old Iedereen House. 


To paraphrase the boy’s own words, why would a person want for anything else than a privileged lifestyle in a seven-bedroom gated estate with, and this is the most enticing part, numerous artisan water features?


They would not. And should not.


However, Edward was, as many wealthy layabouts find themselves, to be somewhat bored of his charmed existence. As was his older sibling, Angelica. She stood, as Edward sat watching, in front of her bedroom mirror, trying on appropriate attire for a forthcoming formal meeting to arrange employment.


Or a “job interview”, to the reader and the author.


Suffice to say, Edward was not having a jolly time of it. Patience was not his strong suit. But Angelica adored her little brother’s attention, whether he was emotionally along for the narcissistic ride or not.


“I’m not sure about this belt.” Said Angelica, twisting her slight frame in the hope that, eventually, she would discover an angle that would please her.


Edward returned his drifting attention back to his anxious sibling.


“Just wear a low-cut top.” He said, wading through the pile of blouses on the bed next to him. “I’m sure they won’t be looking at your belt if your tits are out!”


Angelica scowled and threw a rolled up scarf at him. It bounced lightly off his forehead.


“Edward! Take this seriously!” She said, whipping off the belt and retiring it to a growing pile of accessories.


Edward sighed, curling the scarf of mass destruction back up into a tidy loop.


“How can I?! You should have female friends for this, you know!” He said, his torso flopping back onto the sheets. “Or a gay male friend.”


The young woman stomped over to her red-headed fashion critic and slapped his knee.


“Well, you’ll just have to do, won’t you.”


Edward rubbed his stinging knee and straightened its trouser leg.


“I think the chauffeur’s gay.” He said, as Angelica began sifting through the blouses.


“They all are, sweetie, what’s your point?!” She said, finding the sort of low-cut affair Edward had suggested.


“No point. I’m just bored.” He said, looking at the bawdy clothing item his sister now held against her torso for inspection. “I wasn’t being serious about the top. The belt was fine. Just make sure you pick the right shoes for it.”


Angelica smirked knowingly and dropped the blouse back onto its parent pile.


“I thought as much. Why didn’t you just say that in the first place?!” She said, perching herself on Edward’s knee and kissing his cheek.


“Don’t.” He said, squirming as little brothers are want to do.


Despite his petulant protestations, Angelica wrapped her arms around him and squeezed.


“Are you going to come with me for moral support?” She said, a nervous quiver in her voice.


“Of course.” Said Edward, returning his attention to the incidental play of light on the window pane.


It had been his one totem of sanity throughout this entire ordeal.


“I love you.” Said Angelica, battling her crisis of confidence. “Do you love me too?!”


Edward noticed how the light on the window pane shifted slightly, no doubt due to the Earth’s natural rotation.


“You know I do, stop fishing for compliments.”


“You’re a bastard.” Angelica said, a mere mutter as her mind found itself elsewhere.


“So are you.” Edward said, pushing his sister off his lap and standing to straighten the frustratingly-tangled drapes. “This has been bothering me all afternoon!”


Angelica’s once alert posture sank into a depressed slump.


“You think I shouldn’t be bothering, don’t you?!” She said, staring blankly into the mists of her own future. “You think I should just work for father!”


Edward, after much obsessive compulsive twitching, found himself at peace with the drapery arrangement. He stepped back to admire his sudden-onset interior decorating skills.


‘Perhaps we should just change the drapes altogether.” He said, rubbing his chin for inspiration.


“Edward!”


“Oh. No. Of course I don’t think that! You have lots of potential, and will be a sterling addition to any workforce!” He said, with rehearsed precision.


“Thanks.” His sister said, throwing a shoe at her brother’s lower back. “And what about you? You can’t shuffle around this bloody morgue for the rest of your life!”


Edward retrieved the abusive shoe from the floor and knelt down at Angelica’s feet. Taking on the role a prince in.a romantic fairytale, he slipped the sensible kitten heal over the young woman’s bare toes.


“Who says I can’t?”


Angelica lifted her other foot for Edward’s attention.


“Everybody, but we’re all too polite to say it.” She said, rubbing his unkempt mop. “Mum’s not coming back, you know.”


“I know she’s not, but dad needs me.” He said, then thought for a moment. “He needs us. All of us.”


Angelica peered into her brother’s melancholic soul. He had lost more than just his mother in recent years.


“Are you missing…?”


“No!” Said Edward, immediately regretting his harsh tone. “Yes, of course I am.”


The other shoe was placed firmly next to its enduring partner.


“Thank you, Young Master Charming!” Said Angelica, pouncing off the bed and spinning for her shimmering reflection.


“Please, we’re well-off, but we’re not ‘incest is acceptable’ well-off.” Edward said, snatching the curled up belt Angelica had left on the ‘maybe’ pile. “Now let’s see them with the belt, so you can finally leave me alone.”


⬅︎ SHORT PREQUEL

Sunday, 2 August 2026

Framed to Perfection L (50)


ZINDY, EL FUGITIVO DE LOS PANTANOS (1973)

Director: René Cardona

Cinematographer: Miguel Arana


Half jungle stock footage compilation. Half commercial for a canoe company. All disgusting.


If you ever need to talk a friend or family member out of pursuing a life of rural self-sufficiency, this is the film to show them. Goodness knows when it’s supposed to be set, but the 1970s permeates every frame like a lawn sprinkler loaded with hot diarrhoea. I believe we all now agree that it was the decade that taste and style forgot. Right? RIGHT?! Right.


Based on the listed filming locations, this appears to be a Guatemalan film, but poorly dubbed into American-English. At least, the version I watched is. You can only imagine how much more charming it would be with its original language track on. Why foreign distributors think it’s a good idea to dub little boys with middle-aged women is beyond me.


The Mysterious Cities of Gold taught is that kids can be voiced by actors their own age!


I’m also pretty sure this is one of those scenarios where the English dubbing team didn’t have a translation to work with, so just fucking winged it. But, hey, it was the 70s after all, and “winging it” was the motto of that decade.


Sorry, but being a child of the 80s means we’re mortal enemies. Damn 70s with its stupid hair and ill-fitting clothes and sleazy disco music!


I’m struggling to think of something to say about the actual film itself, but there really isn’t anything. It feels like a random episode of a long-running period TV series for really, really, really bored families. You know, the sort that usually sit around a candle in wonder of its technological brilliance. The relationship between the titular orphan and his grandpa is cute, I guess, and not at all creepy. The bleak ending’s a surprise, but I’ll leave that as a little treat for you. I suppose it must have been a massive pain-in-the-arse for all the actors to clamber around in the swamp or jungle or rainforest or sound stage or whatever, so kudos to the performers for that.


Avoid if you suffer from arachnophobia, as I do. Or just stare down at your feet and pray until the opening hunting scene is over.


Seriously.


Do stay in touch, swamp urchins.


Toodles!




Saturday, 1 August 2026

LOST POST: Collected thoughts on Guided by Voices

When I began The Whittling Post back in 2010, I moved over all culture discussion posts from a now-deleted journal called “It’s Late in the Day”, mainly in order to pad-out my new writing enterprise. The rest of It’s Late in the Day’s posts were merged into The Salad of Convenience, which I have recently started updating again. Curiously, it’s now becoming clear that I missed some posts during the initial migration stage.


And so we come to this.


The below 17-year-old article cropped up in my stats completely at random, and I genuinely have no memory of writing it whatsoever. I was just going to ignore it, assuming the article would be very short and sweet, but it actually looked like it had been quite the undertaking. So, I’ve given it a jolly good grammar and punctuation polish, as I didn’t seem to know what those things were back then, and am reposting it here and now for your mild pleasure.


The story of Dayton, Ohio band Guided by Voices has changed considerably since the original version of my post was written, so some details are now out of date. I’ve tried not to mess with that issue too much, as it might interfere with the heart of what 29-year-old me was trying to say.


Please bear this in mind, should you feel inclined to read any further.


Collected thoughts on Guided by Voices


Sheffield, South Yorkshire

2009


I’m obsessed with GBV now.


I can’t work out whether it’s the vocals, the melodies, the lo-fi production, or the energy and spirit that leaks out of every single song.


I love the confidence they have to just put out everything. One particular track, consisting solely of a discarded bass line, has even made it onto a rarities compilation. This serves as a prime example of the band’s willingness to share. It’s a pretty brave attitude to have, as some may accuse this behaviour as being akin to “scraping the barrel”. I personally could never rate one of their songs, like I would with another artist, as GBV seem to defy criticism altogether. Part of the aesthetic and art of what they do is to put you on a rollercoaster of musical experiments, with the fact that they often fail being also why they succeed.


It’s all part of the experience.


Some of their melodies feel like a throwback to The Beatles or The Who-style simplicity, which is quite endearing. Then they’ll chuck in a disturbing and hypnotic Sonic Youth-style experiment, that throws you off the horse entirely.


I think frontman Robert Pollard has the most perfect rock voice. I could listen to him just reading the phone book, which wouldn’t surprise me if it actually happened. There’s a demo track where you hear him introducing the song, with his smooth Ohio drawl being just so yummy. It’s such a nice moment, as he laments: “I’m not sure what’ll happen with this, but…”, and then cracks on with singing.


Very nice.


I sometimes sit there listening to the band and wonder if it’s all aimless nonsense and I’m a fool for loving it so much. Are they just a drunken pub band who got lucky, or cult geniuses who will never get the mainstream recognition they deserve?


Probably a bit of both.


There’s just so much of it to listen to as well! So many albums. So many rarities collections. So many EPs. So many singles. I’ve been listening to them for two years now, after hearing them on an episode of The IT Crowd, and I’ve still only bought half their output. And I’ve got seven albums and a 4-disc rarities box set (the first of many).


That said, the “classic era” set of constantly-revolving band members dissolved after their ninth album, Under the Bushes Under the Stars, and somewhat rare fanclub-only album Tonics & Twisted Chasers. After these releases, the Guided by Voices brand seemed to lose its grounding, with Bob even having the new line-up go into a “proper” studio with an experienced producer to record Mag Earwhig!.


Sober.


The previous line-up recorded Under the Bushes Under the Stars in professional studios too, but those results still sound a little more pure, retaining the lo-fi edge that makes GBV so interesting. Mag Earwhig! is an eerily well-produced nightmare, with big silences and clean audio tracks. GBV albums are usually full of performance mistakes and atmospheric hissing and the sound of band members stumbling about the place drunk, making Mag Earwhig! a very unsettling listen indeed.


It’s just far too clean shaven for my liking.


I think Bob took the soul of GBV into his solo work when the old line-up said goodbye (or were summarily discarded), so I might follow that output instead. Bob assures us there’s a difference between the two projects, but I can’t hear it. I’ve still got the other Suitcase boxsets to hunt down though, so my journey isn’t over yet.


I’m a geek for it all, but I know one day I’ll pass through it and move on. I am not looking forward to that day.


Do stay in touch, darlings.


Toodles!